What implications will this have on the wider community? How does one begin to rewrite/reconfigure/reintroduce ideologies into the mind of an individual/group, who already have/has their own ideas about what is considered a “good landscape” with a distinctive genius loci?
A sense of pride and of pride of place is something which is indicative of the Australia and the Australian culture. I will investigate preconceived ideas regarding the typical Anglo-Australian middle class family, through the study of Rob Sitch’s The Castle. Looking at some of the embedded themes within the film, I will focus on the issues regarding the Kerrigan family’s contentment versus the upper class’ constant necessity for wealth and spending; contrasting the family’s ideologies with that of the Utopian and Modernist critics and writers, I will investigate works from Trieb and Heynen in an attempt to highlight the key differences.
Using BiG as an exemplar for these ideologies, through 2 different precedents I wish to further investigate the use of fun and interaction to ascertain these constructs of reorganization, firstly: driven by fun and enjoyment of the place one is in; and secondly: via the iconic water-centred Australian summer lifestyle, interceding to recognize if this idea of rapid social reorganization could possibly be fulfilled?
key words: contemporary, social fabric, community, utopian.
Bibliography:
Quote:
Trieb, M 1999, Axioms fo
r a Modern Landscape Architecture, 2nd edn, MIT Press.
Video still:
The Castle. 1997. Producer, Rob Sitch, director, John Stefanson s.l: 1 film (DVD) (75 mins)
Image:
http://pastorron7.files.wordpress.com/2009/08/crowd.jpg visited on 17/8/10
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